Monday, May 26, 2008

The Lights, the Sound, the Rhythm, the Noise


FLIPPER - Blow'n Chunks (1983)

Didja see "American Hardcore" yet? Didja catch the part when that weaselly little asswipe Moby claimed to've been an erstwhile member of Flipper? Did it make ya wish ya could reach through the TV screen so's to lay a solid coupla left hooks into that noggin of his; that plucked pate often mistaken for a shriveled ballsack? If not, you don't have enough fire in yer belly... go on, Hate is Healthy, those fiery shots of adrenaline keep the cholesterol down. Ya don't wanna let that black poison sit there, liable to leak into yer helpless gizzard-- that's the kinda thing that causes cancer (NOTE: I'm not a doctor, but I've had intimate relations with a nurse before... as good a qualification as any, methinks). Somehow, I have my doubts that a gutless corporate pig of his ilk, so swift in his cowardice to appease The Powers That Be that he nearly snaps his ankles, woulda had the gonads to hang with the big boys of scuzzy inepto-scree. I mean, that wimp actually changed the name of Mission of Burma's "That's When I Reach for my Revolver" to "That's When I Realize It's Over" so his worthless cover version would get airplay! Now, y'all might think I've devoted too much space to bashing the little dickhead, but as a certain modern day prophet, Mr. Bill Hicks, once rightly opined re: the Mobys of the World: "They are DEMONS... set loose upon the Earth... to LOWER THE STANDARDS!"

Casting all disdain for Suckers of Satan aside, this priceless document of Flipper's November 1983 CBGB gig is the band in their element. Ted Falconi's churning guitar melds with the dual bass attack of Bruce Lose and Will Shatter to create a hypnotic wall of sludge you can almost see. (It may sound blasphemous-- like I give a fuck-- but the closest thing I've heard that compares is Crazy Horse, with or without Neil, but particularly on the "Arc" set, which was an assembled collection of their most transcendentally noisy moments). The version of "Shed No Tears" here is definitive-- it rumbles along at about 5 mph like a 200-Lb. slug, making early Melvins sound like speed metal. "Ha Ha Ha" is so completely tuneless that it becomes something exquisite-- a goulash of buzzing amplifiers, Steve DePace's ever-wandering timekeeping (which becomes a living organism unto itself) and Bruce ad-libbing bizarre declarations like: "Sounds like Pete Townshend, right? Bah, whatever his name is... he's in Pink Floyd anyway." It's an intuitive form of cacophony that proves everybody CAN'T do it. Seriously, have ya ever heard any band that sounds even remotely like Flipper? Didn't think so.

In comments unless ya love Moby.


MERZBOW - Frog (2001)

With about 3,592 to choose from, I'm kinda um... sure "Frog" is my favorite Merzbow album. As is always the case, it's packed with them there spleen-bursting high-end frequencies we've all come to know and love, but Thee Merz chisels some interesting nuances into his noise sculptures this time around. Y'see, this opus ain't called "Frog" for the hell of it-- all five pieces are based around the sounds emitted by said creatures. And I'm not talkin' about stuff like "J'ai demandé à un Canadien ce que je devrais à emporter comme souvenir de mon voyage là. Il a recommandé une barre de savon classée par famille," smartass. Nay, I'm referring to the little green beasties that make that oh-so-charming "ribbit, ribbit" noise. It's a similar approach to Aube's single source "designs" (his term, not mine). Of course Aube's albums don't gouge into yer eardrums but...

Most importantly, it is a powerful sonic weapon if you happen to suffer from the recent and diabolical plague of "metrosexual" neighbors-- as I do. They blast their eighth or ninth-tier hip hop (coincidence, no?) at unbearable volumes on a regular basis, yet I never let it get to me for I have thee Tonic. Slap this monster on and roll around the living room with tears of laughter in yer eyes as the hapless twits wander around outside with bewildered looks on their faces--- trying desperately to find the source of the killer amphibian threatening to swallow 'em whole. Ah... sometimes Life is Good.

In comments.

14 comments:

  1. Flipper: http://lix.in/2249a61d
    Merzbow: http://lix.in/d9726334

    pw for both = sln2008

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  2. on moby: an ol friend of mine had some hometaped performance of him playing in flipper. with long hair. weird what drugs can do to debase regular hateful overstressed losers...scary.

    on flipper: they sound as if, long ago, they cared. but not now. i keep hearing their records waiting for the moment when they gonna say why they became what they are, what make people this way, why we all cant just escape this...shallowness. but it never comes. their magic, their damnation...(hum, gotta write this if someday had to do a review on em...)

    on intimidating boring neighbors: i like to use guts of a virgin, by painkiller. work fine and is short.

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  3. Amen, brother. What irked me is that Moby's inclusin is based on the fact he was in the third rate band The Vatican Commandos and the fact that he is now famous. Living in SF I have some amazing Ted Falconi stories that I'll save for when I finally do something about Flipper. Thanks for this, my tape copie won't play on my stupid ass iPod.

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  4. "a goulash of buzzing amplifiers" - you made my day with that one!
    Now I'm heading for that Australian Postpunk. These days I cant be bothered with all that post-music, but if made in Oztralia, it should be worth checking out - those antipodeans always have a little more to offer than the rest, more heart, more passion... - itś almost like Cleveland!
    Which brings me to the second raison d'etre of this comment and my long overdue thanks for all of that Cleveland-stuff you posted a while ago, Mr Pope!

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  5. Ha ha... I'm hoping someday to see my metaphors stolen by young upstarts (yeah right). Keep an eye out for a full-length from Oz's Primitive Calculators, that Satan willing, will make it up at some point this week.

    Aesop: Get on that there Flipper post-- always love me some new Flipper tales. And yup, it was fucking farcical to include Moby in "A.H." He is to hardcore what Ted Falconi is to Butoh dancing.

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  6. American Hardcore is pretty much a joke of a movie. you must consider the source, Steve Blush The book was ok, the movie plain old sucks, i had a hard time watching it,and I love that era of music. Flipper were amazing, seeing them live was amazing.
    Anyways, thanks for posting this and lots of other good music that is hard to find.

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  7. hey thanks....saw flipper when they were all still alive in a fern bar in Mpls, no one came, they were great. They arrived late, walked straight to stage w/gear, plugged in, instant screeching feedback till end of set. They left. It was great.
    There is an awfully entertaining bootleg called "nuremburg fish trials" if you kin hunt it down.....thanks agin.

    I think any latter day suckines can be attributed at least in part to drugs.....

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  8. Never have found "Flipper" on vinyl... on tape, sure.. but not on vinyl.. I love their sound, always kinda reminds me of when your driving down the road and some on cuts you off, and your INSTANTLY relient upon the movement of music... lolololol.. almost reminds me of this weekend past.... stupid tourist bennies!!!! rock on brother!!!!

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  9. Flipper were awesome, never be another band like them.
    It's impossible to live like that these days, and make music like that.
    Aesop is right abaout Falconi, got a few stories myself.
    American Hardcore was fucking lame. They missed SO MANY crucial bands and skipped so many regions.
    Bah.

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  10. So I guess it's unanimous that "American Hardcore" sucked, then? Cool.

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  11. Flipper rule ok!
    thanx for uploading,it took a while to get the page to open i had to find out the actual web page(via properties) as the lix thingy was somehow stopping the download opening.
    Moby is a tool,a rich tool,but still a TOOL.
    did i say Flipper rule!

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  12. Flipper suffered for their music. Now it's our turn.

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  13. The dorm room is dark and the guys are quietly doing bong hits while listening to Dark Side of the Moon. Suddenly the door opens wide with blinding light and he staggers to the turntable. The needle scratches as Pink Floyd is roughly rejected and replaced with screeching Flipper. Everybody's high is ruined.

    A memory I will cherish. Thank you Flipper.

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